Rhythmic son whose name comes from the refrain «yi yi vamos» (roughly "yi yi, let's go"). It accelerates the pulse of the Tamunangue and links to the liveliest closing sones. It is one of the most vibrant moments of the promise payment.
The dance of El Yiyivamos
Quick movements, more pronounced footwork (zapateo) and partner-changing figures. The body leans with the syncopation of the drum.
Meaning of El Yiyivamos
El Yiyivamos represents the **collective drive**, the youthful energy of the Tamunangue. It is a son that gets everyone moving, even the spectators.
History and origin
Its onomatopoeic refrain is one of the most memorable in the Tamunangue. Although its exact origin is debated, its use is documented in the traditional versions of southern Lara since the 19th century.
Traditional lyrics
"Yi yi vamos, yi yi vamos, vamos a la batalla…" ("Yi yi, let's go, let's go to the battle…") — the refrain invites everyone to move in unison.
Instruments
El Yiyivamos is performed with the traditional Tamunangue instruments:
- Cuatro (Venezuelan four-string guitar)
- Cinco (Venezuelan five-string guitar)
- Cumaco drum
- Maracas
Curiosities about El Yiyivamos
- The name «yi yi» is onomatopoeic and reflects the call to move.
- Its pronounced syncopation reveals the Afro-Venezuelan substrate of the Tamunangue.
- It is a favorite among musicians for the energy it unleashes.
Place in the Tamunangue
El Yiyivamos is the son number 4 of the Tamunangue. To understand how it connects with the other sones, read the guide to the 8 sones of the Tamunangue.