Cheerful and festive son of the Tamunangue. Mischievous couplets, choreographic games among the dancers and improvised figures in a circle. It is the moment of the collective party.
The dance of La Juruminga
Several couples may join the circle (ruedo). The dancers play with each other following the singer's instructions, perform figures in a circle, change partners and sometimes mimic **everyday tasks** (sweeping, washing, sowing).
Meaning of La Juruminga
La Juruminga celebrates **everyday life** and the wit of the people. The mischievous couplets gently mock customs and characters; it is a son that unites the community.
History and origin
Considered one of the most mestizo parts of the Tamunangue, with marked **Afro-Venezuelan roots** in its syncopation and festive feel. Its name may come from the onomatopoeic verb «juruminguear» — to play, to move mischievously.
Traditional lyrics
"Anda Juruminga, anda…" ("Go on, Juruminga, go on…") — the refrain of La Juruminga is famous and usually incorporates improvised couplets with humor.
Instruments
La Juruminga is performed with the traditional Tamunangue instruments:
- Cuatro (Venezuelan four-string guitar)
- Cinco (Venezuelan five-string guitar)
- Cumaco drum
- Maracas
Curiosities about La Juruminga
- The couplets of La Juruminga are **improvised**: each singer contributes their own verses.
- It is the son in which the community participates most: anyone can join the circle.
- Many Tocuyo children learn to dance the Tamunangue precisely with La Juruminga because of its festive character.
Place in the Tamunangue
La Juruminga is the son number 3 of the Tamunangue. To understand how it connects with the other sones, read the guide to the 8 sones of the Tamunangue.